Subliminal Scarcity by Borghildur Indriðadottír
2 June, 2019, 7.30 – 9.30pm
2 June, 2019, 7.30 – 9.30pm
5 May, 2019 Borghildur Indriðadottír’s “Echobeings” performative Part 2/3 takes place as a part of Empathy Supper at Motif. “The voice from my recent past will join us in this ritualistic unravelment of threads. The Icelandic highlands can quickly transform and so will this bird.” Borghildur Indriðadottír has been invited by Soy Division.
7 April, 2019 Borghildur Indriðadottír performs Part 3, Objectionable Content at Motif Wein. The performance is an interpretation of social media community guidelines depicting our contemporary condition of surveillance. We are all being monitored and our data is being collected. The performance is a part of Empathy Supper hosted by Soy Division, an innovative Indonesian pop-up supper. Limited seating, please RSVP at email@example.com.
2 March – 28 April, 2019 “There Is Fiction in the Space Between” is curated by Eva-Maria Gillich, Misal Adnan Yıldız presenting the visual arts recipients of the Berlin Senate work stipends. Dafna Maimon & Ethan Hayes-Chute have created a hut to enter and view nostalgic camp images documenting the summer of 2018 Camp Solong on Orr’s Island in Maine. In each gather since 2016 “six people are invited to spend time outdoors in a wooden construction together with the artists and to devote themselves as a group to the theme of saying goodbye.”
n.b.k. book series Berlin, a bilingual publication (DE/EN) is published by Walther König, Cologne, including an introduction by Klaus Lederer and Marius Babias as well as texts by Eva-Maria Gillich, Emine Sevgi Özdamar, Michaela Richter and Misal Adnan Yıldız.
William Engelen, Fehras Publishing Practices, Nina Fischer & Maroan el Sani, Jean-Pascal Flavien, Eva Grubinger, Hanne Lippard, Antonia Low, Emeka Ogboh, Peles Empire, Sophie Reinhold
9 February – 7 April, 2019 Emilija Škarnulytė participates in the Future Generation Prize exhibition with her newly produced film “t 1/2”. The film continues with the topic of post-human mythology and fictional visual meditation about contemporary science from her unique archeological perspective from the future.
Alia Farid, Monira Al Qadiri, Yu Araki, Korakrit Arunanondchai , Kasper Bosmans, Madison Bycroft, Gabrielle Goliath, Rodrigo Hernández, Laura Huertas Millán, Marguerite Humeau, Eli Lundgaard, Taus Makhacheva, Toyin Ojih Odutola, Sondra Perry, Gala Porras-Kim, Jakob Steensen, Daniel Turner, Anna Zvyagintseva and artist collectives Basel Abbas and Ruanne Abou-Rahme and Cooking Sections.
18 May – 22 September, 2018
Emilija Škarnulytė is one of ten artists commissioned by Bold Tendencies. Her dome installation “Mirror Matter” to be entered will be on view on the rooftop of the Peckham Multi-Storey Car Park. Škarnulytė translates sounds from the edge of supermassive black hole together with the European Space Agency and with the composer Tristan Shorr.
The focus for this year’s art commissions is Ecology and the commissioned artists are: Johann Arens, Sian Lyn Hutchings, Irina Kirchuk, Lawrence Lek, Arjuna Neuman, João Vasco Paiva, Sterling Ruby, Jenna Sutela, and Richard Wentworth.
Bold Tendencies and Frank’s Cafe
7th – 10th Floors Multi-Storey Car Park
95a Rye Lane
London SE15 4TG
17 May – 1 July, 2018
Emilija Škarnulytė, projects “Mirror Matter” at the Zeiss-Grossplanetarium Berlin on the occasion of the exhibition “DOME Unser Verhältnis zum Kosmos” (DOME Our Relationship to the Cosmos). The 360 degree projection is an immersive audio-visual experience. Film footage includes 3D remote scanning at CERN and the digitalisation of the Neutrino Observatory in Japan. Škarnulytė translates sounds from the edge of supermassive black hole with the European Space Agency and with the composer Tristan Shorr.
Other artists and film makers include: Brad Abrahams, Lőrinc Borsos, Agnes Denes, Max Ernst/Peter Schamoni, Mark Fridvalszki, Romeo Grünfelder, Martin Maeller, Timo Nasseri, Dana Ranga, Al Reinert, Bernhard Sallmann, Wilhelm Sasnal, Frank J. Schäpel, David Sington, Michael Snow, August Strindberg, Andreij Ujica, Andrew S. Yang
For the screening schedule please visit Stiftung Plantarium Berlin.
Prenzlauer Allee 80
20 April, 2018
Family Business is the fourth in a series of exhibitions and performances inspired by Finland’s first kebab and falafel restaurant Orient Express opened in 1985 by Dafna Maimon’s father. The autobiographical project was set in motion initially as a film entitled Orient Express in 2014.
The exhibition “Family Business: Power Failure” is co-produced by Kim? Contemporary Art Centre, Lilith Performance Studio, Galerie Wedding, SIC Space and is generously supported by Latvia’s centennial programme.
13 April, 2018
Emilija Škarnulyte participates in Hyperobjects organised by Timothy Morton and Laura Copelin. Taken from the title of Morton’s 2013 book, Hyperobjects: Philosophy and Ecology After the End of the World, Morton proposes a new way of how to see the universe. “Morton asks: Where are we? Marfa, Texas, the USA, Earth…? When are we? This week? This year? Our lifetime? The time of capitalism? The time of humans on Earth? And, what’s more, who are we? Humans? What on Earth is humankind? Can we say we in a way that isn’t misogynistic or racist—or speciesist? How do we speak our agency in the biosphere?”
Other presentations include Center for Land Use Interpretation, Megan May Daalder, Tara Donovan, Nance Klehm, Postcommodity, Sissel Marie Tonn, as well as loans from David Brooks, the Center for Big Bend Studies, Rafa Esparza, Raviv Ganchrow, Paul Johnson, Candice Lin, the Long Now Foundation, Iván Navarro, the A. Michael Powell Herbarium, the Rio Grande Research Center, Oscar Santillán, and the University of Texas at Austin McDonald Observatory.
108 E San Antonio St
17 February – 24 March / 1 June – 11 August, 2018
Emilia Škarnulytė presents “No Place Rising” (2017) in The Future is Certain – a part of a series marking the centenary of the Russian Revolution. Last year the exhibition organized by the Lithuanian independent curator Monika Lipšic took place at Calvert 22 Foundation, London. Other artists and collectives include he artists and collectives Tacita Dean, Felix Kalmenson, Maria Loboda, Jonas Mekas (with Johnston Sheard and Justė Kostikovaitė), Deimantas Narkevičius, Robertas Narkus, Emily Newman, Goda Palekaitė and Monika Lipšic, Jura Shust, Slavs and Tatars, and Juan Pablo Villegas.
University of Houston
4173 Elgin Street
7 February – 21 April, 2018
Emilija Škarnulyte exhibits “Aldona” (2015) in the group show If These Stones Could Sing at Kadist, San Francisco. “Aldona” is a Lithuanian film with English subtitles depicting the portrait of Aldona or the ‘elder’ who lost her sight due to the Chernobyl Nuclear Power Plant disaster. Other participating artists include Milena Bonilla, Public Movement, Arin Rungjang, Shitamichi Motoyuki and Sriwhana Spong.
3295 20th Street
San Francisco, CA 94110
3 February – 4 March, 2018
Family Business is the third in a series of exhibitions and performances inspired by Finland’s first kebab and falafel restaurant Orient Express opened in 1985. The restaurant was located in the Forum shopping mall in Helsinki city centre. Now Orient Express finally returns to Finland, 33 years after its initial opening, as the exhibition Family Business.
The autobiographical project was set in motion initially as a film entitled Orient Express in 2014. Maimon reworked a high-budget video ad from 1986 produced by her father. In 2017 Orient Express Yourself as the performance took place at Lilith Performance Studio in a reconstructed restaurant. Falafels were bought in exchange for answers relating to memories of family and gender roles as well as the effects of destructive patriarchal structures. In Berlin at Galerie Wedding the installation and film Orient Express existed as ghostly memory of the long-gone restaurant. Falafels were sold to the audience on the opening and the word-payment was recorded into an old tape recorder. For the finissage Maimon scripted After Hours an absurd movement score based on restaurant chores a worker performs when closing up for the night.
The exhibition is co-produced by Kim? Contemporary Art Centre, Lilith Performance Studio, Galerie Wedding, SIC Space and is generously supported by Latvia’s centennial programme. The next stop for the restaurant to branch out is Kim? Contemporary Art Centre in April 2018.
At the opening event a the new mutation of the restaurant will serve falafel cooked and sold by the artist’s actual family members – her siblings.
KÄRAHÄR meaning ‘Nice Here’ – a combination of Afghanistan and Western languages is a project in Kristinehamn to bring people of different backgrounds together. Currently Egill Sæbjörnsson is launching a new location for the project. The new location will host creative production and dialogue. Refugees and locals contribute to the ongoing workshop through textile and ceramic production. KÄRAHÄR is is part of Creative Places funded by The Swedish Arts Counsel for projects across Sweden that carry out cultural activities based on the needs of local residents and in collaboration with local stakeholders.
For more information, please contact:
Dr. Enwalls väg 13
Kristinehamn 681 37
13 December, 2017, 5pm
Styrmir Örn Guðmundsson performs on the occasion of the launch of the In-Out Center Archives website.
In-Out Center archives releases all of the assembled facts and details about the 44 events and exhibitions held in In-Out Center from 24 november 1972 until the end of 1974. In-Out Center was the first artist-run space in Amsterdam, located at Reguliersgracht 103, and legendary because of its ground-breaking, uncompromising artistic programme.
Members of the centre included: Michel Cardena, Raúl Marroquin, Ulises Carrión, Hreinn Fri∂finnsson, Kristján Gudmundsson, Sigurdur Gudmundsson, Hetty Huisman, gerrit jan de rook and Pieter Laurens Mol. Each of these members consecutively invited a guest, or group of guests, facilitating inspiring international exchanges wholly unique for its time.”
Curators of the website are Tineke Reijnders and Corinne Groot.
The program includes an interview with Sigurdur Gudmundsson.
Emilija Škarnulytė is the winner of the DNB Savings Bank art grant 2017. The grant was awarded during the opening of stipendutstillingen at Oslo Kunstforening on 16.11.2017. This year’s stipend nominees include Louise Aas, Bjørn Mortensen, Emilia Škarnulytė, Ingrid Eggen and Roderick Hietbrink.
Former recipients include: Ellisif Neck and Susanne Skeide (2008), Ignas Krunglevicius (2009), Ann Cathrin November Høibo (2010), Kaia Huginn (2011), Marie Buskov (2012), Sandra Mujinga (2013), Ingrid Lønningdal (2014), Andrea Bakketun and Christian Tony Norum (2015), Tor Børresen (2016).
Jury leader is Sabrina van der Ley, the deputy director of The National Museum of Art, Architecture and Design Oslo. Other members include Jan Christensen, artist; Marianne Hultman, artistic manager at Oslo Kunstforening; Steffen Håndlykken, artist and CEO at 1857, critic and writer.
16 November – 17 December 2017
16 November, 2017 – 13 January, 2018
Dafna Maimon’s solo exhibition Orient Express opens at Galerie Wedding. The exhibition features Dafna’s film Orient Express (2014) based on a television commercial made by her father for his kebab restaurant, one of the first falafel and kebab restaurants in Finland in 1985. On a socio-historical level the film presents Finland’s migration tension and relationship to the Soviet Union in the 80s. Dafna restages her father’s restaurant within Galerie Wedding including newspaper articles about the original restaurant. The exhibition builds upon the event celebrating Lilith Performance Studio’s 10 year anniversary in Malmö from 22-24th of September. During the opening Falafel Interval performs and visitors can pay with words to taste.
Financial support provided by Senatsverwaltung für Kultur und Europa, der Spartenübergreifeden Förderung, des Ausstellungsfonds für Kommunale Galerien und des Berliner Projektfonds für Kulturelle Bildung
Exhibition tour with the artist Dafna Maimon and the curator Solvej Helweg Ovesen on 14 December, 2017 at 5pm
Galerie Wedding – Raum für zeitgenössische Kunst
11 November, 2017
Tanaz Modabber’s artist book “Other Scales of Prosody” with an essay a Cassandra Edlefsen Lasch is published by BOM DIA books. BOM DIA BOA TARDE BOA NOITE books participates in the book fair Offprint Paris from 9 – 11 November. The book launch takes place at Ofr books from 6 – 8 pm.
OFR. Librairie, galerie
20, rue Dupetit-Thouars
21 October – 9 December, 2017
For the exhibition at ZERO FOLD Alexandra Hopf has developed a group of works daring from her 2015 presentation “Maison Tatlin” at Galerie Scharmann & Laskowski from the ceiling of the gallery, a series of coats made of coarse canvas and cut from a pattern by Vladimir Tatlin in 1922.
On the occasion of the 100th anniversary of the Russian Revolution, Hopf has developed this series of garments as an edition of wearable coats made of linen with a high quality lining and fitted with cow horn buttons in sizes from XS to L.
DIE FALTEN DER REVOLUTION
INTERNATIONAL STANDARD COAT
1917 – 2017
5 – 29 October, 2017
Mirror Matter (2017) visits our present from the future – it is set 10,000 years from now. Škarnulytė invites the viewer on a ‘truth seeking’ journey where humans are extinct and nature has taken over. The film to date is an anthology divided into the beginning of an index of stories. She creates a post human mythology sharing her view of how scientific machines once probed and measured our universe. She allows for us to become the all-seeing and all-knowing alien eye. The secrets of anti-matter and the void become our fascination.
Kottbusser Strasse 10
Artist Talk on October 10th with Timothy Morton (in person) at 6pm
29 September 2017 – 14 January, 2018
Dafna Maimon & Sol Calero together with Conglomerate TV have produced the telenovela “Desde el Jardin” featuring Caique Tizzi. The film is a part of the incredible “Amazonas Shopping Center” by Sol Calero. The installation is a part of group exhibition at Hamburger Bahnhof on the occasion of Sol Calero’s nomination of the Preis der Nationalgalerie 2017.
14 – 23 September, 2017
Tanaz Modabber participates in the group show OFF THE MARBLE CLIFFS! | RUNTER VON DEN MARMORKLIPPEN! together with Aino Laberenz, Alicja Kwade, Anselm Reyle, Colette Lumiere, Daniel Grüttner, Eva & Adele, Gregor Hildebrandt, Hiroshi McDonald Mori, Julieta Aranda, Julia Belyaeva, Karl Karner, Lothar Hempel, Martin Eder, Mateusz Choróbski, Mihail Pirgelis, Uwe Heineken, Saadane Afif, Severin Spengler, Stefan Rink, Thomas Scheibitz, Tobias Dostal, Przemek Pyszczek
8-9th September, 2017, 7pm
Please join us on September 8 and 9 for the opening of the Kunstverein Amsterdam‘s new season and the Dutch premiere of Styrmir Örn Guðmundsson’s performance ‘What Am I Doing With My Life?’ Aid and relief is given to its Amsterdam audience by self-proclaimed Doctor, Styrmir Örn Guðmundsson, with the help of local collaborators: Indriði Arnar Ingólfsson, David Bernstein, Géraldine Geffriaud, Hreinn Fridfinnsson, Anat Spiegel and Thomas Myrmel.
On Friday September 8 at 7 pm the action starts for members only, with crystal tears, Mayan death flutes and lullabies performed within an architectonic intervention by Hreinn Fridfinnsson. Geraldine Geffriaud will be serving herbal elixirs.
On Saturday September 9 at 7 pm, the performance is repeated but with a twisted end – a boom box-amplified procession on bikes leaves from Kunstverein and slowly crawls across Amsterdam to end at David Bernstein’s opening of ‘Because Most of the Cosmos is Compost (Thinging Part V)’ at P/////AKT (Zeeburgerpad 53, 1019 AB Amsterdam).
The performance on Friday is a members only event and space is limited. We advise to arrive early on Friday and/or (on bike!) Saturday.
We wish to thank the (Gold)Members of the Kunstverein, Amsterdam Fonds voor de Kunst (AFK) and Ammodo Fonds for their continued support.
For more info: firstname.lastname@example.org
20 – 30 July, 2017
Tanaz Modabber participates in the group exhibition “Odyssey” which takes place in the water on Möhnesee. All of the works are produced for the water and can only be visited on the water by swimming or by boat. Other artists include Oystein Aasan, Aram Bartholl, Kerstin Brätsch, Julian Breuer, Marco Bruzzone, Nine Budde, Burghard, Eric Ellingsen, Andreas Greiner, Knut Henrik Henriksen, Theresa Kampmeier, Daewha Kang, Fabian Knecht, Daniel Knorr, Swantje La Moutte, Ulrike Mohr, Reto Pulfer, Anton Quiring, Yorgos Sapountzis, Mirjam Thomann, Alvaro Urbano, Raul Walch, Tilman Wendland and Ella Ziegler.
The second part of the exhibition takes place at the Kunstverein Arnsberg from the 28th of July – 10th of September.
Opening at Möhnesee: 20 July, Thursday, 7 pm
Performances and concert: 21 July, Friday, 7 pm
Regatta on Möhnesee: Saturdays and Sundays, 2 pm
Finissage at Möhnesee: Friday, 30 July, 7 pm
For more information:
Vlado Velkov / Juliane Rogge, email@example.com
Königstraße 24, 59821 Arnsberg
22 June – 26 August, 2017
MANIFOLD is Emilija Škarnulytė’s first solo exhibition in Berlin. Curated by Ignas Petronis Škarnulytė’s films “No Place Rising” (2017) and “Hollow Earth” (2013) are on view on two intersecting levels at Decad. Probing derelict contested sites with her own investigative mythology Škarnulytė reveals our impact on geological catastrophes from the future. “No Place Rising” was shot in Olavsvern, a classified decommissioned Royal Norwegian Navy and NATO submarine base. “Hollow Earth” together with Tanja Busse was shot in five active mines above the Arctic Circle, Norway, Sweden, Russia and in Svalbard the Norwegian archipelago.
Artist Talk on August 9th with Timothy Morton via Skype from 7-9pm
24th June 2017, 9pm
Bettina Buck, Interlude, 2012, DV 00:05:22, mono sound
Rick Buckley, Moore, 2012/17, DV 00:03:39, stereo sound
Rick Buckley, Double Positive, 2016, 4K 00:07:00, stereo sound
Bettina Buck, Another Interlude, 2015, HD/DV 00:27:27, mono sound
Alexandra Hopf, Giacometti in the Desert, 2016/17, HD/DV 00:16:12, stereo sound
2 HH, 2nd floor
10 June – 1 October, 2017
Hreinn Fridfinnsson participates in the 5th incarnation of Skulptur Projekte Münster. The decennial exhibition of art in the public sphere’s focus is on the “living arts” addressing new meanings attributed to the body in the context of postindustrial economies and digitalization. Fridfinnsson’s new work is to be performed by its viewers. Other participating artists include Ei Arakawa, Nary Baghramian, Aram Bartholl, Cosima von Bonin, Andreas Bunte, Gerard Byrne, CAMP, Michael Dean, Jeremy Deller, Nicole Eisenman, Ayşe Erkmen, Lara Favaretto, Gintersdorfer/Klaßen, Pierre Huyghe, John Knight, Xavier Le Roy with Scarlet Yu, Justin Matherly, Sany, Christian Odzuck, Emeka Ogboh, Peles Empire, Alexandra Pirici, Mika Rottenberg, Gregor Schneider, Thomas Schütte, Nora Schultz, Michael Smith, Hito Steyerl, Koki Tanaka, Oscar Tuazon, Joëlle Tuerlinckx, Bárbara Wagner / Benjamin de Búrca, Cerith Wyn Evans and Hervé Youmbi
30 projects in the public sphere
2017 – 2020
KÄRAHÄR is an art and cultural project aimed at creating creative meeting places for people of different backgrounds. The aim is to bring together the participants with their experiences, professions, interests and cultures with artists, poets, growers and other active in culture and leisure. This will be done through a series of workshops that will be carried out regularly for three years to come. Through the various activities, we want to create different activities that the participants conduct, test, improve and develop during the course of the project, with the aim of gaining new knowledge in different cultural areas, while the participants build networks locally, regionally and nationally. With new knowledge, new business and larger networks, KÄRAHÄR wants to give participants the opportunity to run their own activities after the end of the project. The museum director Andreas Brändström and Kvinnor Tilsammans they have set up a greenhouse and a ceramic workshop in Kristinehamn, a small town outside of Stockholm. KÄRAHÄR is is part of Creative Places funded by The Swedish Arts Counsel for projects across Sweden that carry out cultural activities based on the needs of local residents and in collaboration with local stakeholders.
Dr. Enwalls väg 13
Kristinehamn 681 37
8 June – 30 July, 2017
Camp counselors Dafna Maimon & Ethan Hayes-Chute together with curator and camp philosopher Jonatan Habib Engqvist help to make saying goodbye easier. Camp Solong invites you to welcome your goodbyes with play and delight. Get a bunk with your own personal shelf, dig a hole, and learn to say goodbye to your new-found friends. You will get insights into how to rid yourself of emotional baggage, and perhaps find the key to the joy of separation in the grab bag of your soul. Taking play seriously means letting yourself momentarily lose your foothold. Together we learn to bid each other farewell. This will be a lifelong memory.
Iso Roobertinkatu 16
July 14 – 17, 2017
*** Applications open for summer camp until June 19th ***
3rd – 13 June, 2017
Tanaz Modabber participates in the group exhibition “Friends of Birds” curated by Jeanne Barral at DOC. Other artists include Nour Awada, Jeanne Briand, Cantean Dagar, Hoël Duret, Sébastien Gouju, Petrit Halilaj, Gyan Panchal and Alvaro Urbano
Performance on 3rd of June at 6pm : Rafaela Lopez and Aymeric Hainaux
13 May – 26 November, 2017
Egill Sæbjörnsson represents Iceland at the 57th Venice Biennale. Egill’s project OUT OF CONTROLL IN VENICE has been led by Ügh and Bõögâr two Icelandic trolls. Upon arrival the visitors are greeted with a coffee before they enter their man-eating worlds and heads only to become part of their worlds as well. Egill tells how they met but we give them life and make them real. Through sound and animation we learn about their activities in Venice and how Klaus Biesenbach tastes. They comment with humor on the art world while becoming marketable merchandise themselves. The online shop offers the book, their album, a fashion line and even Troll turds. Egill questions our perception of the world with an inclusive, fun-loving and self-reflective humorous approach.
Commissioner: Eirikur Thorlaksson
Icelandic’s Minister of Education, Science and Culture: Kristjan Thor Juliusson
Curator: Stefanie Böttcher
Out of Controll in Venice
Pavilion of Iceland at Biennale Arte 2017
Spazio Punch, Giudecca
Vaporetto stop: Palanca
12th May, 2017, 7pm
WAIDWML will treat and heal the audience on the occasion of the opening ceremony of Žilvinas Landzbergas’ exhibition “R” for the Lithuanian Pavilion at the 57th Venice Biennale. Styrmir Örn Guðmundsson will be assisted by his faculty members Ásta Fanney Sigurðardóttir, Indriði Arnar Ingólfsson and Jokūbas Čižikas.
Organiser: Contemporary Art Centre, Vilnius
Commissioner: Kęstutis Kuizinas
Curators: Ūla Tornau and Asta Vaičiulytė
Lithuanian Pavilion at the 57th International Art Exhibition – La Biennale di Venezia
Scuola San Pasquale, San Francesco della Vigna
13 – 15 April, 2017, 21-0
Dafna Maimon hosts three nights with her 8 person ensemble Related Primates at KW’s Pogo Bar.
Related Primates ask of its audience to partake in a “directed experience” of participatory stimulations developing over the course of the evening, using edibles, sound and movement.
The rehearsals and performances are developed in collaboration with artist and choreographer Emma Waltraud Howes, props and costumes are made together with artist and designer Tea Palmelund.
Related Primates is part of I am Hungry, produced by Agora Collective e.V. in partnership with KW Institute for Contemporary Art, funded by CAPP -Collaborative Arts Partnership Programme from Creative Europe Programme, Nordiska kulturfonden – Nordisk Kulturfond and Finnland-Institut in Deutschland.
PLEASE RSVP to firstname.lastname@example.org
KW Institute for Contemporary Art
Bob’s Pogo Bar
February 24 – April 16, 2017
Alexandra Hopf further develops her cosmos The Night inspired by Giacometti within the context of The Model. Hopf premieres her new film “Giacometti in the Desert” as part of a two-screen installation suspended from the ceiling. The second screen mirrors the first where the seven sequences of the film play. Her installation continues throughout the museum into the hallway ending or beginning with a poster depicting the ambience of the mysterious future monument “The Night: (1947) by Giacometti.
Artist Talk on March 1st, 2017
24th March, 2017, 9pm
WAIDWML is a rapshow by Styrmir Örn Guðmundsson a.k.a. Læknakjarval a.k.a. Litli Kjarval. The tour map is a body – Poland at the toes, Iceland is the nose and Læknakjarval needs various faculty for each bodypart. Acupuncture anaesthetist Indriði Arnar Ingólfsson and masseuse Árni Jónsson join Læknakjarval when WAIDWML crawls into Neukölln after its initial pollination with Jurgis Paškevičius and Robertas Narkus at Autarkia, Vilinius. Join us for medicinal rap!
“the toothpaste we use is very toxic – not only toxic but full of plastic – let it get to your brain start acting stupid – so so stupid I dont understand it – human feelings make me feel strange”
Before the hotel lobby there is the afterparty @ MAGENDOKTOR with special DJ guest Lord Pusswhip.
9 December 2016 – 15 January 2017
CONGLOMERATE’s first exhibition unveiling sets of a new television family drama premieres at 1646. Trauma and drama unfold during the holiday season as “mother” and “father” get the family together. Through ridicule, sarcasm and irony CONGLOMERATE exposes and criticizes the structures of visual pleasure we as spectators learn.
29 October, 2016 – 15 January, 2017
Egill Sæbjörnsson’s solo show “Building as a Being and The City as a Stage” manifests his ongoing interest in urban planning and communal creativity. Sæbjörnsson advocates for urban centers to rediscover their potentials. The theme of the Bakery V on May 22 at Hafnarborg was “Architecture – Working with Dough”. Elements of architecture were created in dough by members of the immediate community and then baked. The baked works now enlarged are in dialogue with the architectural of Hafnarborg’s exhibition space.
27 – 30 October, 2016
In its second iteration Cycles Music and Art Festival operates as a platform and an intersection for contemporary music and visual art. The title of the performance program and exhibition curated by Eva Wilson is “That Time” inspired by the one act play by Samuel Beckett . “Deeply rooted in Iceland’s exceptional cultural scene, the festival uses the unique natural environment as an echo chamber in order to explore questions of deep time and peak futures.” Artistic director and co-founder of Cycles is Gudný Gudmundsdóttir.
Thursday, 27 October
8pm Áki Ásgeirsson, Egill Sæbjörnsson, Magnús Jensson – Tónlist um tónlist | Music About Music
27 October – 18 December, 2016
Exhibition “THAT TIME | ÞÁ”
Including the artists: Hreinn Fridfinnsson, Egill Sæbjörnsson together with Ívar Emilsson and Mundi Vondi, Alvaro Urbano
7 October, 2016 – 5 February, 2017
Hreinn Friðfinnsson, Styrmir Örn Guðmundsson and Egill Sæbjörnsson are participating in “Water Events” as a part of “Yoko Ono: One More Story …” at the Reykjavík Art Museum. The exhibition curated by Gunnar B. Kvaran presents Yoko Ono’s diverse artistic career defined by social and political engagement. Other artists include: Finnbogi Petrusson, Helgi Þorgils Friðjónsson, Hildigunnur Birgisdóttir, Hrafnhildur Arnadóttir aka Shoplifter, Margrét H. Blöndal, Ragnar Kjartansson, Rúrí, Sirra Sigrún Sigurðardóttir, Solveig Adalsteinsdottir
Listasafn Reykjavíkur // Reykjavík Art Museum
411 6400 Reykjavík
23 September – 15 October, 2016
“Prince of Wales” called his friend the Queen of Denmark… he was bored after he heard the artist Egill Sæbjörnsson said he didn’t have the time to do a show.. the Queen of Denmark, a true gentle lady as she is talked him into a better mood…
Ohlmüllerstr. 17 (kleines Haus im Hof)
Thursday – Saturday, 4-7 pm
23rd September, 2016 – 23rd April, 2017
Alexandra Hopf’s works on glass will be shown in “Ready for the Stage Act 1 (1900-2016)” at the Arp Museum. Inspired by “Cabaret Voltaire” the group show about painting and the stage commemorates the Dada anniversary.
Other artists include Jean Börlin, Ulla von Brandenburg, Back to Back Theatre, Günter Brus, Marvin Gaye/Spartacus Chetwynd, Ricarda Poppy-Dressler, Marcel Dzama, Irmel Droese, Alexandra Exter, Axel Geis, George Grosz, Hansgünther Heyme, Alexandra Hopf, Thomas Huber, Leiko Ikemura, Georgij Jakulov, Torsten Jurell, Oskar Kokoschka, Markus Lüpertz, Isa Melsheimer, Piet Mondrian, Ryan Mosley, Saskia Niehaus, Arnulf Rainer, Birgit Ramsauer, Claus Richter, Franz von Saalfeld/Atelier Goldstein Frankfurt, Nadja Schöllhammer, Reut Shemesh, Daniel Spoerri, Vladimir Tatlin, Manos Tsangaris, Bill Viola, Andor Weininger
Landes-Stiftung Arp Museum Bahnhof Rolandseck
5 – 27 July, 2013 at Laura Mars Grp., Berlin
Performance by Sonja Gerdes: Saturday, 27 July at 9 pm
Laura Mars Grp. is pleased to present Sole Searching, a group exhibition with new works by Veronica Brovall, Sonja Gerdes and Zoë Claire Miller. All three Berlin-based artists work with ceramics. Their work will be shown within the contexts of identity, translation, and tradition. Redefining their practice in challenging ways as women artists, Brovall, Gerdes and Miller translate traditional methods to begin to explore new forms of subjectivity.
27 – 29 July 2012 at Infernoesque, Berlin
Babette and the Berlin Pop Choir July 27 2012, 7-10pm
Babette and Romvelope July 29 2012, 4-6pm
Babette is a part of Emer O’Brien‘s ongoing series investigating the visualization of sound waves and sound pressure. Based on the technology developed by Heinrich Rubens O’Brien translates opposing invisible pressures: sound and gas.
Libia Castro & Ólafur Ólafsson have been selected to curate the September 2016 edition of The One Minutes. The One Minutes Foundation based at the Sandberg Instituut in Amsterdam since 1998 offers a global platform for screenings, exhibitions and workshops. Questioning how we perceive and engage with the moving image Castro & Ólafsson’s series will be screened at the Reykjavik International Film Festival from the 29th of September until the 9th of October 2016.
Submit your proposals by: 1st of September
For more information: https://vimeo.com/176614902
30 August, 8-10pm
Block Two features guest contributions from artists Molly Lowe, Shana Moulton and Stephen G. Rhodes as well as new episodes and video works by CONGLOMERATE’s core team of Dafna Maimon, Christopher Kline, Derek Howard, Ethan Hayes-Chute, and Sol Calero.
This Block also features a special closing credit track from Heatsick AKA Steven Warwick, adverts by The Institute for New Feeling and station ID animations by Mario Campos.
Conglomerate’s headquarters are located at the Berlin Project Space Kinderhook & Caracas.
Kottbusser Damm 22
The Icelandic Art Center has chosen Egill Sæbjörnsson to represent Iceland at the 57th Venice Biennale. Sæbjörnsson’s project for the biennale will present fantastical and grotesque characters, which become alive through public participation. The characters will not only inhabit the exhibition space of the Icelandic pavilion but will intervene with the city of Venice and infiltrate the virtual world. Stefanie Böttcher the director of the Kunsthalle Mainz in Germany will curate the project.
Egill Sæbjörnsson’s work is an approach to experience, a mode of behaviour, a play. His oeuvre is performative in nature and entails the theatrical-artistic while playing with the image as interruption.
The artists Dafna Maimon and Ethan Hayes-Chute cordially invite you to take part in the Camp SOLONG within the current exhibition PROCESS, PERFORMANCE, PRESENCE.
Applications are open for anyone (an adult) who would like to have a “performative” experience/adventure, or just a 3-day break from daily life.
“Wise is he who enjoys the show offered by the world.” Fernando Pessoa
For further instructions on how to apply please visit: campsolong.org
August 19-21 2016
Process, Performance, Presence
10th June – 21st August, 2016
Together with Ethan Hayes-Chute Dafna Maimon has created CAMP SOLONG – Stay to leave for the emotionally impaired. Their camp is a part of the exhibition which reinvents itself throughout its duration.
Please note 21st August from 3-5pm Dafna Maimon and Ethan Hayes-Chute performance will take place.
21 May, 2016
John Zurier and Hreinn Friðfinnsson were neighbors at the 30th Saõ Paulo Biennial in 2012. As a part of the Reykjavík Arts Festival Friðfinnsson and Zurier present new works to continue their ongoing dialogue.
Conceived by Sol Calero, Ethan Hayes-Chute, Derek Howard, Christopher Kline and Dafna Maimon Conglomerate is a new online TV network.
BLOCK ONE will premiere online on Wednesday, May 11, 2016 featuring guest contributions by Keren Cytter, Constant Dullard, Christine Hill and Jeremy Shaw.
Conglomerate’s headquarters are located at the Berlin Project Space Kinderhook & Caracas.
29th April – 3rd June, 2016
The exhibition Voices Outside the Echo Chamber: Questioning Myths, Facts and Framings of Migration curated by Katayoun Arian features works by Lawrence Abu Hamdan, Angela Anderson, Kaya Behkalam & Azin Feizabadi, Libia Castro & Ólafur Ólafsson, Banu Cennetoglu, Harun Farocki, Foundland, Maryam Monalisa Gharavi and Daniela Ortiz.
1031 KT, Amsterdam
15 April, 2016, 12am
31 October, 2019, 7-10 pm
In collaboration with __in conversation with__ (#12), COZY CATASTROPHE presents works by Arnar Ásgeirsson and fashion by Agata Mickiewicz. Reading like a tarot card deck of feelings Arnar’s ink drawings present magic symbols. Parallel to the exhibition, Arnar will present his newly published book entailing his drawings accompanied by a running text. Performance by Arnar Ásgeirsson and Styrmir Örn Gudmundsson begins at 9pm. Inspired by his drawings, Agata has created cozy fashions for the performers. COZY CATASTROPHE is co-curated by Katharina Wendler. The exhibition runs until November 3, 2019.
in a hopeless hole
dark and misty
a stew is brewing
(a former public toilet house turned into an art space, right by the train station Hallesches Tor)
2 November – 15 December, 2018
2 November, 16 November, 30 November (6-10pm)
The exhibition series “Terminal” deals with our contemporary condition – an ongoing state of transit. The series is an exchange of artists practicing in Berlin and Reykjavik. Airport terminals and their aesthetics become a program in effect. The theme of the first exhibition “Terminal (TXL)” is communication as it takes place in the former Berlin – Tegel post office hosted by renovation project Postwerk Tegel.
Gunnhildur Hauksdóttir launches “Terminal TXL” with “Borderline Human – Milk River Valley” based on her artistic research in South Africa.
For the opening Gunnhildur will lead a performance reacting to the ververt monkey calls. The internationally renowned contemporary dancer Saga Sigurðardóttir will physically engage with the installation with acts of borderline human movements.
The second exhibition “noWhere, noThing, noBody” is presented by Rebecca Erin Moran. She invites the viewer to enter, to transcend and to depart.
On 24 November, a liminal event will take place allowing for new rituals of sexual colossal hybridization.
Borghildur Indriðadóttir’s ends “Terminal TXL” with “Hei Maei #my_كل_شي”. The one-minute film is about the unknown intelligence of the ocean and questions identity and multiplicity.
For the opening women stylized both in niqāb-khimars and in latex and fishnet stockings will perform within an airport setting.
Sat. & Sun. 2-8pm
8 August – 9 September, 2018
Icelandic turf houses reveal our primordial connection to the earth. Taking turf houses as a starting point of artistic experimentation “Earth Homing” realigns us with architecture and with the earth. What can we learn by revisiting this rich source of cultural heritage to “build” for the future?
Anna Júlía Friðbjörnsdóttir, Ásdís Sif Gunnarsdóttir / Daniel Leeb, Birgir Andrésson, Borghildur Indriðadóttir, Claudia Hausfeld, Elín Hansdóttir, Gunnhildur Hauksdóttir, Hekla Dögg Jónsdóttir, Hrönn Gunnarsdóttir, Kolbeinn Hugi, Ólafur Sveinn Gíslason, Ólöf Nordal, Ragna Róbertsdóttir, Sean Patrick O’Brien, Sólveig Aðalsteinsdóttir, Steingrímur Eyfyörð and Unnar Örn.
3-22 June, 2018
“Journey to Home” is a walking tour exhibition located in downtown Reykjavík initiated by the Wind and Weather Window Gallery. The exhibition is about a spiritual journey to home within the context of the festival’s theme ‘home’. The journey is something real and self-reflective; it can be plotted and mapped. The window exists as an embodiment of the viewer’s aesthetic, sensual and emotional experience. The exhibition project is located in commercial and residential windows including inside Dragsúgur, an extracted window of Wind and Weather Window Gallery that travels. The exhibition is curated by Kathy Clark and Annabelle von Girsewald.
Arna Óttarsdóttir, Ásdís Sif Gunnarsdóttir, Auður Ómarsdóttir, Anna Hallin & Olga Bergmann, Claudia Hausfeld, David Zehla, Egill Sæbjörnsson & Ívar Glói, Eygló Harðardóttir, Helgi Þorgils Friðjónsson, Hekla Dögg Jónsdóttir, Hrafnkell Sigurðsson, Ragnheiður Gestsdóttir, Rebecca Erin Moran, Styrmir Örn Guðmundsson & Agata Mickiewicz, Theresa Himmer, Arnar Ásgeirsson, Emilija Škarnutyé, Kathy Clark and Erin Honeycutt
June 3, 4pm, Reykjavík Arts Museum, Hafnarhús
Window Locations within the downtown area, please see map at festival hub
4-6 September, 2017
Cycle – Sovereign / Colony (CSC) is perceived as a forward looking transdisciplinary art project with a focus on the Western Nordic area including Greenland, Faroe Islands and Iceland. As a part of the month long program hosted by the Gerdarsafn Art Museum a workshop on Icelandic turf houses with an academic, architect, artists, a turf builder and former tenants will take place. Turf houses are highly insulated homes for all classes and for all of Icelandic architecture dating back to the 9th century. The workshop is key for the education of the problematic nature and denial of colonialism in Iceland. How can turf houses as a symbol of cultural heritage be emblematic of national identity? The workshop will lay the groundwork to test dynamic ways of aesthetic realignment and transformation for a larger exhibition project.
home is an exhibition space curated by Annabelle von Girsewald. The space being diasporic in nature and in its conception will present a “new architecture”. Architecture here is not used as a physical structure but rather as a way of thinking to challenge how we can build without architecture, manage space or even how to build for an eternity. The motivation behind these ideas is instigated by Yona Friedman‘s concept of architecture without building.
6 December, 2019 The Yggdrasil Norse Divination Cards by Haukur Halldórsson and Gunnhildur Hauksdóttir are based on the mythical Yggdrasil tree the center of Norse spiritual cosmology. It is the first divination deck of its kind. The 81 cards represent nine deities for each of the nine mythological worlds of the Norse Gods, giants, light and dark elves, humans, dwarfs, fire, ice and of the dead. The exhibition presents the original drawings.
13 June, 2019 Styrmir Örn Guðmundsson presents ‘What Am I Doing With My Life?‘ the vinyl at Stichting Kunst- en Cultuurhuis Cinetol in collaboration with the Kunstverein Amsterdam. Together with his Medical Faculty Styrmir Örn Guðmundsson has produced tracks based on songs from his 2017 tour W.A.I.D.W.M.L.?. The record sleeve is designed by Nerijus Rimkus and contains drawings by Styrmir Örn Guðmundsson made for each track.
5 May, 2019, 6.20pm
As a part of MISS READ’s program 2019 homecomings, 1, 2, 3, etc., presented by Archive Books Tatiana Echeverri Fernandez and Susanne Kriemann with Cia Rinne will perform.
Tatiana Echeverri Fernandez presents “ERR OUT, mimesis in reverse” a new piece, performed with dancer Tarren Johnson, which takes up a work made within the context of “homecomings”– “ERR OUT [III]”–moving it into a space of performance.
Together Susanne Kriemann and Cia Rinne present a performative reading of Rinne’s “One Book One Home” featuring excerpts from Dieter Roelstraete’s text “FLIGHT: A SINGLE SCATTERING OF THOUGHTS: On Books, Homing Devices, & The Printer’s Plight” and bird calls recorded for the Animal Sound Archive of Berlin’s Museum für Naturkunde where a sound salon “attuning One Book” was held within the context of “homecomings: PROJECTIVE SPACE”.
Haus der Kulturen der Welt
6 April, 2019
homecomings 1, 2, 3, etc. the book launch takes place at the Changing Room in Wedding Berlin at 6pm. The exhibition project homecomings has culminated into a publication with Archive Books funded by the Stiftung Deutsche Klassenlotterie Berlin. Returning to the exhibitions homecomings (2013) and homecomings: PROJECTIVE SPACE (2015) as well as the symposium homecomings, etc. (2014) the publication features contributions by Eric Ellingsen, Valérie Chartrain, Tanaz Modabber as well as interviews with Hreinn Fridfinnsson and Hans Ulrich Obrist.
Please join us for readings and performances by:
Shane Anderson, Samuel Dowd, Tatiana Echeverri Fernandez, Susanne Kriemann & Cia Rinne
Lüderitzstr. 11 / 2nd Courtyard
Emilija Škarnulytė is the winner of the 2019 Future Generation Prize. In its 5th edition the prize was started in 2009 by the Victor Pinchuk Foundation. Emilija Škarnulytė won the prize for her new film “t 1/2” (2019).
Together with the WET HEAT PROJECT on the occasion of Thomas Bayrle’s first survey show in America Annabelle von Girsewald interviewed the ever inspiring Frankfurt based artist and former Städelschule Professor. His iconic Madonna Mercedes has been realized into a steel sculpture filling the four story atrium of the museum. The film will premiere early 2017.
One Day on Success Street
4040 NE 2nd Avenue
2 October, 2016, 2pm
Within the series Sound Systems “Elevator Music” features Ayumi Paul on the violin playing a composition recorded for and within the elevator of Trafo by Ari Benjamin Meyers. In a sense the medium is the space – the work remains trapped inside the elevator. It is nearly impossible to hear the piece in its entirety as passengers getting on and off interrupt. The liminal space and music marks a threshold opening up and questioning performative possibilities.
1 October – 31 December 2016
Together with WET HEAT PROJECT Annabelle von Girsewald interviews one of the most influential conceptual artists of our time John Miller. His large survey show includes works from the 1980s along with a new installation of a mirrored labyrinth and a new “pedestrian” painting. For an extended clip of the interview please visit on the Miami Herald website.
I Stand I Fall
4040 NE 2nd Avenue